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Because of my essentially random scheduling in the matter, I see about half a dozen new Indian films a year, mostly comedies of some sort. Given such a small sample, it's a stretch to draw conclusions, but a bunch concern themselves with the problems of village life, and with the problems faced by women in a conservative society.Today's was PAD MAN, a fictionalized story based on Arunachalam Muruganatham, a man who, worried about his wife using dirty rags for her menstrual flow, and shocked at the high cost of sanitary menstrual pads, worked out a method of producing them for less than 5% of their store price, and creating a sales industry for women in the process -- and convincing everyone in his village, including his family, that he is an insane pervert.Although I thought that at almost two and a half hours, it was getting a bit draggy towards the end, the movie offered its characters in an intelligent and light-hearted manner. Akshay Kumar, as the lead, is an bright, admirable lunk, able to switch from serious to romantic to clown and remain the same character.
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Karen Woo always had something new to tell us and we hated her guts for it. She would start talking and our eyes would glaze over. Might it be true, as we sometimes feared on the commute home, that we were callous, unfeeling individuals, incapable of sympathy, and full of spite toward people for no reason other than their proximity and familiarity? We had these sudden revelations that employment, the daily nine-to-five, was driving us far from our better selves. Should we quit? Would that solve it? Or were those qualities innate, dooming us to nastiness and paucity of spirit? We hoped not. 2b1af7f3a8